Print ad for December issue of Affaire de Coeur magazine.
Music Soothes the Savage Characters
©April 6, 2011 by Daven Anderson
I’ve been using music (and song lyrics) for my “character building” exercises. Choose three songs that you think represent a particular character. The songs you pick can give you insights into your characters (and even yourself! ) that would not be obvious from any other approach.
Here’s a sample lyric from Devo’s Peek-A-Boo (©1982 Casale/Mothersbaugh), a song I picked for my character Jack:
If you cannot see it, you think it’s not there. It doesn’t work that way.
Jack is a vampire. When you consider that vampires are “hidden” from the normal world, this ostensibly simple lyric takes on a whole new relevance. Jack has become something the normal world “cannot see” and thinks is “not there.” Thus, the quoted lyric has far more meaning to Jack (and his kindred) than to the normal people Devo was admonishing for their lack of vision.
The 1973 Fleetwood Mac song Hypnotized (©1973 Bob Welch) would seem an obvious choice to represent my character Gl’Ag, who is of extraterrestrial descent.
Now it’s not a meaningless question to ask if they’ve been and gone
I remember a talk about North Carolina and a strange, strange pond
You see the sides were like glass, in the thick of a forest without a road
And if any man’s ever made that land, then I think it would’ve showed.
The readers’ perceptions of the character, the novel, and even the author can be dramatically widened by tying in the right song. The lyrical theme of Hypnotized is an obvious “tie-in” for an extraterrestrial-descent character. But the possible interpretations run much deeper. Does the author imply that Gl’Ag’s kind are responsible for the anomalous pond in the woods near Winston-Salem? Are their kind hiding in the “place down in Mexico, where a man can fly over mountains and hills?” Is their mothership the “something” that “flies by their window . . . out on that lawn . . . which is wide, at least half of a playing field?” Are his kind’s hypnotic powers why “what matters most is the feeling you get when you’re hypnotized”?
Connect the right song to your character, and you will find out what Aristotle meant when he said, “The whole is more than the sum of its parts.”
There’s a tendency for authors to view their choices in music as nothing of importance. Something to put on in the background as you type. A song quoted in your pages to spice up your story, at best. This couldn’t be more wrong. Are their choices obscure? Popular? Hackneyed (such as banjo music for a backwoods thriller)? Or do they even bother with music at all? Each of these reflect very different mind sets for both the authors and their stories.
The content of this post should make it clear that each of the songs on my playlist (in my novel’s appendix) is an exercise in character development and character building. Each song I selected says something important about a particular character and makes a comment about the character’s place in my story’s universe.
My writing is intended for those who look for the hidden truths and ask the deeper questions. Yes, I’m aware this is a heavily philosophical approach for a grocery store cashier writing a vampire book. 😉
Readers of my novel who research the lyrics and songs on my playlist will be rewarded with a unique insight into my characters and the novel’s universe. If I’m lucky, a reader or two will be able to make a connection to something I missed. I dream of the time when I can make one of my readers proud at my book signing when I tell them, “You are the first person who got my intended meaning.”
Of course, novels have to stand on their own merits. The connection with music outside the novel is intended for readers who wish to expand their understanding of my novel’s characters and universe. Which leads to my all-time favorite movie quote:
Some people can read War and Peace and come away thinking it’s a simple adventure story. Others can read the ingredients on a chewing gum wrapper and unlock the secrets of the universe.
Lex Luthor in “Superman” (1978)
Your novel has to stand on its own enough to satisfy those who take it simply for what it is. However, great novels should offer a universe of hidden meanings for the readers who wish to dig deeper.
Vampire Love: Thinking Outside The Coffin
©May 12, 2011 By: Daven Anderson
Love. The vampire genre is full of “love.” Bookstore shelves are on the brink of collapsing under the weight of an army of paranormal romance titles. Servers for e-books are filled with terabytes of bodice-ripping hunks with fangs.
And therein lies the genre’s biggest problem.
Vampires are, by definition, outsiders. Thus, their experiences of love should also diverge from the normal world. Their dealings with love should be the opposite of the usual “category romance with a sprinkling of paranormal seasoning.” This ceaseless flood of cloned paranormal romance degrades Dracula, debases Bathory, ultimately creating a horde of readers that will never touch the spine of a book with the word “vampire” in the title. Can you blame them?
One of my main motivations for writing is to correct this sad situation.
My character Damien was fourteen years old when he met Lilith, an attractive redhead who appeared nineteen. She was actually a fifty-five year old vampire. Lilith did not bother to inform Damien in advance that consummating their attraction would transform him into a vampire. Even though they are soul mates, and he has remained with her for over 250 years, Damien has never forgiven her for failing to tell him what he would become. This is the reason why Damien seeks solace in the arms of his mistresses, in spite of his wife Lilith’s habit of killing them.
The reason why Lilith didn’t tell Damien is that her first husband didn’t tell her she would become a vampire, either. And Lilith didn’t mind a bit. She loves being a vampire. She sees it as empowerment and deliverance from a menial 18th-century life. Lilith doesn’t think anyone would, or should, ever object to becoming a vampire. Even if they weren’t told about it in advance.
There are way too many books where you can read about a handsome male vampire at long last finding his human female soul mate. Once again, the time is ripe for an author to think outside the (coffin) box and bring the true “outcast” spirit of the vampire back from the, ahem, dead.
What tales of love reside in my novel? Jack, a newly turned young vampire wanting the love of a family, guarded by a Gypsy vampire still mourning the loss of her loved ones. Damien, never forgiving his wife’s act of information omission, seeking comfort in mistresses. Power-hungry Lilith, killing those mistresses to regain control of the “bad boy” husband she loves.
These are not the love stories in your typical dime-a-dozen paranormal paperback. These are the love stories of outsiders.
The love stories of vampires.
A great WordPress.com site
Peeking behind the curtain of Life....
A Sassy Barrio Gringa Telling It Like It Is
The Matriarch Vampires Novels by Kevin A. Ranson #theMatriarchVampires
This WordPress.com site is the cat’s pajamas
A NOMAD ON THE LOOSE
A site devoted to the Young Adult sci-fi/fantasy novel The Eye-Dancers
True Power Plant Stories
Plus ça change, plus c'est la même chose / The more things change, the more they stay the same
The official blog for Michael Beyer, author of 'Catch a Falling Star'